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Every time somebody asks me about cristalino, it plays out approximately the same way. They're holding the bottle, turning it in the light, and they ask some version of one question.
So what IS cristalino?
For a type of tequila that sells quite a bit and is made by a lot of brands, there are a lot of misconceptions. This isn’t about whether cristalino is good, it’s about the seven lies that consistently get told about it.
Cristalino is a blanco because it is clear
Mexico's tequila standard sorts every bottle into 1 of 5 classes: blanco or plata, joven or oro, reposado, añejo, and extra añejo. Cristalino is not on that list, and never has been.
Which means every cristalino on the shelf is legally something else, and the label has to say so. Look at the front of any bottle of cristalino. It reads “añejo cristalino,” or “reposado cristalino,” because the legal class is mandatory and “cristalino” is just riding shotgun.
So every cristalino starts as an aged tequila that then goes through a filtration process to remove all or most of the color and some of the flavor.

Patrón Añejo and Patrón Añejo Cristalino.
Of the 167 tequilas currently tagged as color-filtered in Agave Matchmaker's database, 93 are añejos, 51 are reposados, and 16 are extra añejos. Patrón Cristalino Añejo, the one we scored 82, sits 12-15 months in American and French oak before anything gets filtered. Gran Coramino Cristalino Reposado, which we scored a 60, is a filtered reposado.
This, by the way, is the same way that “rosa” works in Tequila. Rosa is also a blanco, reposado, or añejo tequila at heart. “Rosa” just means that the tequila is aged in wine barrels, and has a pink-ish hue.
Clear means cleaner, lighter, or purer
Ivy Mix, owner of Whoopsie Daisy Bar in New York City and author of Spirits of Latin America, has a theory about why clear sells, and it has nothing to do with flavor.
"I think there is a general mass-market assumption that tequila is somehow good for you, or that brown spirits are in some way more caloric," she told Food & Wine in February. "By filtering out color but having the edges taken off by aging, it's theoretically an easier-to-drink blanco."
Theoretically is right. Some cristalinos give a mild, if uncomplicated sweetness and are entirely pleasant. Others taste like agave-flavored vodka, or are mysteriously sweet, with a thick, cloying mouthfeel.
So how does that process actually occur?
The filtration is gentle
The brands call it a gentle charcoal filtration. A light polish. A little adjustment. But to strip all the color out of a gold or brown batch of tequila? That requires a pretty heavy hand, in reality.
Max Reis, beverage director at Mírate and Daisy Margarita Bar in Los Angeles, concurs. "Charcoal filtration is marketed as removing barrel color, but it inevitably removes much of the flavor that comes with aging as well," he said. "In practice, it often goes further by pulling flavor not only from the barrel influence but from the base tequila itself."
Supplier specs put the dose at roughly 0.7 to 1.0 grams of activated carbon per liter of spirit for color correction, but carbon does not discriminate. It adsorbs the color compounds and it takes flavor and body along with them.
Some producers are candid that stripping is the point. Jesús Susunaga Acosta, maestro tequilero for Espolòn Cristalino, says the filter "softens harsh tannins often found in extra-aged tequilas" (Barleycorn Drinks).
In essence, a cristalino is an aged tequila with the volume turned down. It’s the Muzak version of a rock and roll song.
And that filtration has a cost. But how much?
Cristalino is cheap to make
This one is half wrong. Cristalino does cost more to make than a plain aged tequila. It just does not cost enough more to explain what some brands charge for it.
The carbon is not the expense. Under a gram of carbon per liter costs very little, once the filtration machine is purchased. But machine maintenance, filter replacements, and personnel to oversee the process add some cost.
And the filtration step itself is not free either. Every time aged tequila goes through the filters, some of the liquid does not come back out the other side. In my experience visiting distilleries in Jalisco, that loss has been explained to me as a 5-10% reduction in volume.
So there are real production costs, yes. But brands are still asking a premium for cristalino, which becomes clear (pun intended) when you compare regular and cristalino tequilas of the same age.
Hornitos Añejo runs about $30. Hornitos Cristalino, the filtered version of the same tequila, runs about $40, a 33% premium.
Gran Coramino Reposado is about $42. The Cristalino Reposado runs $52 to $60, 25% to 44% more.
Tres Generaciones Añejo is about $43. Its Cristalino runs $47 to $63 depending on retailer, 9% to 47% more.
Patrón Añejo is about $55. Patrón Cristalino Añejo is about $62, 13% more.
Don Julio Añejo is about $64. Don Julio 70, the cristalino version, is about $80, 25% more.
Across those five pairs, the clear version runs roughly 10% to 50% more than the aged tequila sitting next to it on the same shelf, from the same brand, made at the same place. And it is not just the big brands.
Authentico, an organic, additive-free craft brand, charges $54.99 for its reposado and $64.99 for its reposado cristalino, an 18% premium for the same 6 months in oak plus filtration. That is the actual cost of clear.
Filtration and its hidden volume loss explain some of it. The rest is what the brand thinks the word cristalino is worth to you.
What the cristalino label actually tells you
Here is what a cristalino label has to say, by law, and what it does not.
It has to state the age class. That is mandatory, and it is the single most useful thing on the bottle. If it says añejo cristalino, the base spirit spent at least a year in oak before it was filtered. If it says reposado cristalino, at least two months. That class is your starting point for what is in the bottle.
It has to name the NOM, the four-digit number that identifies the distillery with production control of the tequila.
The label does not have to tell you how it was filtered. Mexico's tequila standard defines filtration only as separating particles through a filter, and it sets no limit on how much color can be removed or how. The word cristalino itself carries no legal weight. It is a marketing term, not a class.
So the label tells you how long it aged and who made it. It tells you nothing about the step that made it clear. That is the part you have to judge for yourself, in the glass.
Don Julio invented cristalino
Not true, but VERY commonly believed, and the correction is more interesting than the myth.
Don Julio 70 was the first añejo cristalino. The first cristalino overall was Maestro Dobel Diamante, launched in 2008 as a filtered blend of extra añejo, añejo, and reposado . Don Julio 70 arrived later, and when it did, nobody called it a cristalino. Don Julio announced it on September 13, 2011 as the world's first "Añejo Claro.”

Maestro Dobel Diamante and Don Julio 70.
Both bottles trace to the same person. Juan Domingo Beckmann Legorreta, CEO of José Cuervo Group and an 11th-generation tequila maker, created Diamante, then suggested Don Julio release a clear añejo for its 70th anniversary. Casa Cuervo owned half of Don Julio at the time, before selling it to Diageo.
Beckmann described the problem he was solving in a single line that still explains the whole category. "How to take out the color without taking out the flavor. Because normally you would be taking out both."
A lot of brands are taking out both color and flavor today.
Only a handful of brands make it, and nobody drinks it
In November 2018, Agave Matchmaker's database listed 44 cristalinos. As of August 25, 2026, the same database tags 167 tequilas as color-filtered, across roughly 150 distinct brands. That is close to a 4x increase in 8 years.
Demand for cristalino is cresting. Harvey Purchese, senior vice president for marketing at William Grant & Sons, said in 2024 that cristalino accounts for "over 30% of value of the category" in Mexico and "over half a million cases in the USA now" (Shanken News Daily).
I see it where I live, too. The Costco in Puerto Vallarta, near my house, had 32 tequila bottles on the shelf the last time I checked, in February of this year. Twenty-three of them were cristalinos. That is not a category making inroads. That is a category that has taken over the shelf, at least in Mexico.
Sales figures in the U.S. suggest that the big brands that make cristalino are almost universally declining in sales since 2025, but that’s not necessarily a cristalino-only phenomenon. Simultaneously, sales of reposado continue to soar, indicating that demand for aged tequila (clear or otherwise) remains high.
Everybody loves cristalino
The disagreement about cristalino is driven by questions about the premise of it, as well as the flavor.
Mix calls cristalino "a marketing experiment that caught on," and adds a caution of her own: "Cristalinos are particularly prone to additive use."
The other side is not marketing copy either. Charlotte Voisey, executive director of the Tales of the Cocktail Foundation, reports genuine demand: "bartenders enjoy mixing with a white spirit that has the added complexity of an aged spirit. It adds a new layer of depth to a cocktail."
Both can be true, because the category is all over the place, as we discovered with our own reviews here at The Tequila Report. We’ve only scored two cristalinos so far, and the outcome was very different.
Bottle | TR score | Price (Aug 2026) |
|---|---|---|
82 | ~$62 | |
60 | ~$60 |
The 82 means good, especially as a mixer, with an easy finish that does not last. The 60 means we hope to never drink it again (how we score). Nearly the same price. Twenty-two points apart.
So what is cristalino?
It’s not a category. It is a filtration decision, made after tequila ages. That decision removes color, flavor, and sometimes affordability.
But the softly sweet liquid that cristalino represents can be a crowd favorite. Just try to get a sample before you commit to a bottle, because the array of flavors in the cristalino world are all over the board.
Authentico is a presenting sponsor of The Tequila Report.
About the Author
Jay Baer has spent 30+ years studying tequila and agave spirits. He is the co-founder and editor of The Tequila Report. Jay is also the New York Times bestselling author of seven books, a Hall of Fame keynote speaker, and has spent three decades building and advising brands.
In addition to The Tequila Report, Jay and his business partner, Maddie Jager, are co-founders of Slingshot, an invitation-only community of emerging tequila brands. Jay lives in Bloomington, Indiana and Puerto Vallarta, Mexico.
You can find him on Instagram.



